It’s not a prescription (for a solution); it’s a description. The album is accompanied by a short film, scenes from which also double as music videos. Short film veteran Anna Cordell stars as Gloria, whose waifish vulnerability sets the heartbreaking tone for the first chapter; Charlie Tahan of the acclaimed Netflix series “Ozark” plays the role of Junior, whose personal heartbreak is magnified by the dysfunctional relationship with his father; and “Terminator: Rise of the Machines” and “In the Bedroom” actor Nick Stahl anchors the entire narrative as Jimmy, a man who lives life shrouded in a fog of familial and personal darkness. In drawing musical water from the spiritual wells of their own lives, they kept coming back to themes universal to addicts, alcoholics and their loved ones: Loss. In a way, Schultz said, getting into the heart of the addiction story that drives the three main characters on “III” — Gloria; her son, Jimmy; and Jimmy’s son, Junior — was an exercise in knowledge as much as it was songwriting.

“Maybe that would be death, I don’t know.
“I think it was more, this is what I’m experiencing right now in my life, trying to support an addict and take care of someone in a lot of ways. Did you install a browser extension (such as Realplayer/Realdownloader) that helps you download YouTube videos or other content?

It’s, ‘This is what’s been happening,’ and just in sharing that, a lot of people are coming back to us with an energy and saying, ‘This has happened to me, too.’ I’ve heard that over and over, and there’s just an astonishing number of people touched by addiction, and an astonishing number of people who love someone dealing with it, or they themselves are dealing with it. And so began a journey, by two of the most high-profile songwriters in the catch-all genre of Americana, to tell the story of family. “It’s been a shocking thing to learn how wide that web is and how far it stretches, and how so many people are going along with this charade like it’s not happening,” he added. “Take (the song) ‘Gloria,’ for example — you’re oscillating between two perspectives: the guitar (part), where the child is saying something to the mother, and then the piano takes over when she says, ‘Get me back on my own two feet.’ It’s like this person is saying, ‘Don’t underestimate me.

That resonance pushed their 2012 self-titled debut to No.
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It’s not a prescription (for a solution); it’s a description. The album is accompanied by a short film, scenes from which also double as music videos. Short film veteran Anna Cordell stars as Gloria, whose waifish vulnerability sets the heartbreaking tone for the first chapter; Charlie Tahan of the acclaimed Netflix series “Ozark” plays the role of Junior, whose personal heartbreak is magnified by the dysfunctional relationship with his father; and “Terminator: Rise of the Machines” and “In the Bedroom” actor Nick Stahl anchors the entire narrative as Jimmy, a man who lives life shrouded in a fog of familial and personal darkness. In drawing musical water from the spiritual wells of their own lives, they kept coming back to themes universal to addicts, alcoholics and their loved ones: Loss. In a way, Schultz said, getting into the heart of the addiction story that drives the three main characters on “III” — Gloria; her son, Jimmy; and Jimmy’s son, Junior — was an exercise in knowledge as much as it was songwriting.

“Maybe that would be death, I don’t know.
“I think it was more, this is what I’m experiencing right now in my life, trying to support an addict and take care of someone in a lot of ways. Did you install a browser extension (such as Realplayer/Realdownloader) that helps you download YouTube videos or other content?

It’s, ‘This is what’s been happening,’ and just in sharing that, a lot of people are coming back to us with an energy and saying, ‘This has happened to me, too.’ I’ve heard that over and over, and there’s just an astonishing number of people touched by addiction, and an astonishing number of people who love someone dealing with it, or they themselves are dealing with it. And so began a journey, by two of the most high-profile songwriters in the catch-all genre of Americana, to tell the story of family. “It’s been a shocking thing to learn how wide that web is and how far it stretches, and how so many people are going along with this charade like it’s not happening,” he added. “Take (the song) ‘Gloria,’ for example — you’re oscillating between two perspectives: the guitar (part), where the child is saying something to the mother, and then the piano takes over when she says, ‘Get me back on my own two feet.’ It’s like this person is saying, ‘Don’t underestimate me.

That resonance pushed their 2012 self-titled debut to No.
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lumineers' iii film cast

Date: October 1, 2020 Author: Categories: Uncategorized


He’s created this beautiful visual arc to go along with the album, and we consulted with him along the way.”. The end result is a moving piece of cinema that speaks to the soul every bit as much as the songs on “III” do.

2 on the Billboard 200 albums chart.

Directed by Kevin Phillips. It’s the love that is driving you insane.”.

done anything to warrant a ban, this is most likely the case. As an outsider, that’s important, because that helps us to realize it’s not a villain you’re dealing with — it’s a person who feels broken.”. Step 2 (optional): Enter any other comments/feedback here, Step 3: Enter your email address. She’s left rehab, been to jail, she’s been homeless, she’s been in and out of shelters. I think success builds up your ego, but I’ve never been more humbled than being around an addict and thinking, I was wrong — it’s not about willpower or some silver bullet solution, and the reason that I was wrong is that no one would ever do this voluntarily. She can drink when she wants to drink, and her family wasn’t really willing to let her do that if she stayed with them.

Your email address will not be published. We’ve put her into rehab a couple of times, and my wife gave her college tuition to this person so she could go to rehab, and she left early. You (or someone with the same IP address as you) might be using a script or program to download pages from this site automatically.

Lead single ‘Gloria’ breaks the mould a little with a bathtub-thumping crowd singalong, but it’s a natural counterpoint, a crescendo rather than a violation. “My wife’s family member, we saw her for the first time in a couple of years a few days ago, and as far as we know, she’s living in and out of shelters,” he said.

So when we were writing it, I felt very stuck on the subject, I guess you could say.”. “And he had an eye for casting people who felt real, who didn’t seem like actors, because this was a unique thing: They were basically going to be Charlie Chaplin the whole time with no dialogue, because the music is the dialogue.

I have dignity.’ Part of the exercise for this was trying to find that perspective on the other side of it, to find empathy for the addict, even though that addict has personally hurt you. For her, it seems like the life she wants right now.”.

We are hoping to eventually work on a solution for this when we have the resources to do so. Maybe someone might see it or watch it with a teenager or a sibling or a parent, and it might at least open some dialogue or create some openness around it. “For the fans who listen to our music, whose first dance at their wedding was to one of our songs, that’s what music is all about.

“It’s weird to me doing it, because I’m not the addict, so it felt almost inappropriate saying something,” Schultz said from Asheville, North Carolina, where the band was preparing for a world tour that, aside from a chunk of April, will keep them on the road until the end of summer.

The sense that forces beyond the control of an individual have taken up residence in their lives like specters of permanent darkness, and in those moments, hope and light seem like distant memories. Despite the darkness, however, Schultz is emphatic that the record is not a pessimistic one: It’s simply a glimpse at the ruination of one family that serves as an example for so many real ones throughout America.

The fictional Sparks family stumble through a harsh life, meeting addiction, violence, misogyny and desperation along the way.

It’s about bringing emotion out in people and making people feel alive, and while this may not be positive emotion, it’s emotion nonetheless.”.

They drink because they’re feeling a lot,’ and if you look at it, joy is most vulnerable feeling in the world,” he said. There was, Schultz admits, some trepidation on the band’s part about the visceral nature of the album’s content. Shorn of studio, band and producer, just for a moment we see them sing and play right down the line, just past the camera, singer and song and nothing more, and we see that it is good. “If more people (talked about) it, it would be more normalized and be more acknowledged, and those who are struggling wouldn’t have this added element of a secret mixed in with the burden of addiction and the burden of trying to stay sober,” he said.

The first is Joni Mitchell in a downtown attic; the second is Patti Smith on a tiny club stage. The Great review: A witty, profane and lavish royal drama, Spotlight on Matt Marcii and Robbie Hutton, Book Review: Fire Queen by Joanna Courtney, Book Review: The Seven Doors by Agnes Ravatn, Book Review: Punching The Air by Ibi Zoboi and Yusef Salaam, Best Albums of 2016: Frank Ocean, Lady Gaga and More, The Lumineers re-illumine us with the glories of ‘Gloria’, The Lumineers put Gloria Sparks into the world, Live Music Review: The Lumineers at the O2 Academy Bristol. The experiences Schultz and his wife were going through kept coming back to the surface during the writing process, and the pair began to focus on the resulting devastation that addiction visits upon loved ones — including the death of Fraites’ brother, Josh, who died of a drug overdose at the age of 19. Being on the receiving end of those conversations is always humbling, he added, and that perhaps is his greatest hope about “III”: that it encourages compassion for those who suffer, and encourages those who suffer to reach out.

But it doesn’t mean this isn’t also just as truthful.

But I think it’s important to remember something a guy said to me when I was telling him about how, during the recording, I felt like I was banging my head against the wall and feeling really defeated. The genius of “III” is how the song cycle and their accompanying videos complement one another, and much of that falls onto the shoulders of the actors who portray the three main family members.
III is a concept album, based loosely on Schultz’s own family history.The fictional Sparks family stumble through a harsh life, meeting addiction, violence, misogyny and desperation along the way. “There isn’t a resolution; there isn’t a happy ending, because there’s not a final thing,” Schultz said.

This is forbidden by our terms of service. Separating his role as a soothsayer from that of someone affected by addiction has been arduous at times, but in some ways, it’s also been enlightening. I remember one time we were doing this interview with a guy who told me he had been addicted to meth, and how he and his wife had their children taken away, and how at first they didn’t know if they would get them back. “I was trying to be hopeful, but when he heard me talking about it, he said, ‘You need to have some compassion for yourself.’ And at first, I thought that was crazy — like, that’s not going to happen! While both men have personal experiences with loved ones who have struggled with addiction and alcoholism, neither has battled the problem personally, Schultz told The Ties That Bind Us recently. As the songs unfurl we rarely hear more than a voice, a guitar and a piano. Great artists need no puff. Like Joni and Patti, the Lumineers achieve that which few performers convincingly can: the merging of art with popular appeal. But in the meantime, you have to live with it, because that’s part of life. Released 13 September 2019 on Dualtone.

“We bought her a house and then had to evict her. Songs like ‘My Cell’ and ‘Left For Denver’ are intimate, bittersweet affairs, their organic production and first-take vibes belying cast-iron songwriting. “So that means sometimes homeless, sometimes sleeping in the warmth of a shelter. “I feel like addicts, and even some people who don’t consider themselves to be, are all wired in this weird way, and they’re scared of being vulnerable. “They did, but then he said to me, ‘No one on this whole set where we’re filming knows this about me.’ Now, I know it’s upsetting to have your children taken away, but the most upsetting thing to me was that he couldn’t tell people he was around and spent the most time with. Directed by Kevin Phillips, III is a visual manifestation of the The Lumineers' third full-length album of the same name. In it, amongst The Great Bob’s face-painted antics, the many talking heads and the questionable snippets of folklore, there are two performances that stay burned in the brain.

Purposely writing an addiction record, Schultz said, would have felt awkward, like the pair were tourists dipping their toes in an unfamiliar ocean. Fine curlicues of piano detail the frame while the guitar paces purposefully on, and Wesley Schultz’s sandpaper-and-silk vocals go from conspiratorial whisper to heart-emptying cry like it’s nothing. “All of that was so hard to wrap my head around, and this album, these songs, became an outlet, a meditation, on that.

The roots of “III” snake their way back to 2007, when Schultz first conceived of a three-part song cycle that were connected but separate. Ironically, people are going through something like this, and there’s a lot of self-loathing and feelings of unworthiness, and for the addict, that love makes them feel worse — but it’s what bonds families together. He has this ability to shoot these shots that are stark and painful but beautiful. When matched with the oh-so-earnest visuals of the film, III quickly begins to slide into mawkish melodrama, losing its finesse under layers of symbolism-by-numbers.

My wife and I have been trying to support a member of her family, our family, for the last 10 years. I have hope. There's not much we can do about this right now; you'll have to turn off your VPN in order to continue using the site.

1, and these days they’re headlining arena shows around the world.

But we could all use some of that, I think.”, The cast of the short film that makes up "III.".

It’s not a prescription (for a solution); it’s a description. The album is accompanied by a short film, scenes from which also double as music videos. Short film veteran Anna Cordell stars as Gloria, whose waifish vulnerability sets the heartbreaking tone for the first chapter; Charlie Tahan of the acclaimed Netflix series “Ozark” plays the role of Junior, whose personal heartbreak is magnified by the dysfunctional relationship with his father; and “Terminator: Rise of the Machines” and “In the Bedroom” actor Nick Stahl anchors the entire narrative as Jimmy, a man who lives life shrouded in a fog of familial and personal darkness. In drawing musical water from the spiritual wells of their own lives, they kept coming back to themes universal to addicts, alcoholics and their loved ones: Loss. In a way, Schultz said, getting into the heart of the addiction story that drives the three main characters on “III” — Gloria; her son, Jimmy; and Jimmy’s son, Junior — was an exercise in knowledge as much as it was songwriting.

“Maybe that would be death, I don’t know.
“I think it was more, this is what I’m experiencing right now in my life, trying to support an addict and take care of someone in a lot of ways. Did you install a browser extension (such as Realplayer/Realdownloader) that helps you download YouTube videos or other content?

It’s, ‘This is what’s been happening,’ and just in sharing that, a lot of people are coming back to us with an energy and saying, ‘This has happened to me, too.’ I’ve heard that over and over, and there’s just an astonishing number of people touched by addiction, and an astonishing number of people who love someone dealing with it, or they themselves are dealing with it. And so began a journey, by two of the most high-profile songwriters in the catch-all genre of Americana, to tell the story of family. “It’s been a shocking thing to learn how wide that web is and how far it stretches, and how so many people are going along with this charade like it’s not happening,” he added. “Take (the song) ‘Gloria,’ for example — you’re oscillating between two perspectives: the guitar (part), where the child is saying something to the mother, and then the piano takes over when she says, ‘Get me back on my own two feet.’ It’s like this person is saying, ‘Don’t underestimate me.

That resonance pushed their 2012 self-titled debut to No.

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